JFIFC    $ &%# #"(-90(*6+"#2D26;=@@@&0FKE>J9?@=C  =)#)==================================================" }!1AQa"q2#BR$3br %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz w!1AQaq"2B #3Rbr $4%&'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz ?#lږqow7* âV S b&?SNU]%Xt$zBI\qiޒ8س&0OXJ\k(hNcKs 5[T5f[:%DU{}Lj1iZͧ&MW R"HIli8#[6jۻz]nlb0֒iVjn:7X(NN yG%=>Ԛ\zZ49C$C jU E X isv h,>#΍%(2Ѐxg,|19]^]=]Y)% -0pCWZ$bnQdvsEZ^uoOi 3]H>R`kia%ID=@Kmk-孜lϖ~~4/XuĻ[Ziq=Uuݑ[q[\;?S]mhp4&5rH@b}p+[xBvR X 1bA&<ؚMnI|Zi6RHrðb3׶ypN|=qgp;HsT.AM l27ƀ[e=sZڛʬ\Ȗ{ͤP.uVǦ-zFs\Z& 3]G䜆^:eֆ{[kl3TG~j*I;0^0ޔ H\@f:E]״^C lҊۼaq+(]FSHK$$=sIm2Ԛ-7 m O]jrZy R^kgĺ&ƨUWܹs+76ާJ1Q5WԬ7Z apk5ͺgpߞ:v_wpG"A8^nɍ U!`Un?V}Ms2C!$z{WS5Mm Ċ C)WMI( uӉե6N^%M1~FIEun1E&JiVs^A^q]MK&n|;ɜa"I(F^y?VDվγG {xVb]GH3S4ٍu:81Y$#RXIqmy,kDEH{7kÝ[Pn~Gld}fy4؜Cq:5g/|9 ?e*$ zdVƗbN[4-,dPY RG?T&qge*ׇ߱<- G,68W69 VK\nF7O@)k?}e75MJOTDeN]sI YT!TPH|K;$$#xk o4A 1^j C=YLH:g=6ǟ7[n"U5OwU"9-4VֹvOsZہ m~ aY)\̱qs#*In]n#rv#V3NQ.F]8%[OCe%ag$׊?Xo;}iuBPozuڜ$8MP=뎽OܹʞGZ7.m!U*Vmdl3\vwwS4#Z#3EΛqa'P񂎽2}=kll!8y]Ӧ|H&x&q&h7#" BpJѓ[IVL`׮Kr[BAgm~n-P# ?{P2]VC 0>] d?A]wve np@1޼Ui±TZuEp\Ip!!r}SiLr|K)'@}2Fr)nO`L2Ow:1یsN(Q6,)ߛA\=ϒlnfp6Jt#D ךeٮ5H.[ps+BKMZMd.0w4N[ы{^Ǣl[@Km-9ϵOiqZU~PV^|M xجȤs^:֮fN& rϚo"ZMgX23^KiXYY ׉꺼z *>B4;9dgc9iF$vgь6HVK.с+jm 8z;O ݐ@WPͬ1[# Z4k^ I[4d 褵5QSȒO&IFñ=(WhI#ڊQΛSwVWs\njzndr ע@=W'uxC`HǯDE\^ Zo Gp:[ 뚋· X aEu**KˁZ:*B<Xα42Lhhmպ)@r}+BM"k}vJS#bE )IzSDXiB[ ل n1-򳯷W1YZKi,fxm fzqfx?ő"Y&{dȟOs:Έ$Kuddz?*{R&TZ6\`s^c&\*sNpO>Zop8hᔞֹZI ǿ*"9'\ְR_5i|#𶼚~jQy*M{ske :s k31Er g=J);[TMHe#s=k+#C\!FdR*c;I<9S.w!ùP =[ZǛ("d!#L{gmnAk|2$ Y<2 G[qڽÇ% O@i[S9=.`k{[ˋ ݳEUaW=H';+q.Mҏ…=+ DZo, *$ƜԳgVҴT醓+ ,$tG+ ~sʧ=ҨkĶzՌe%E" :¥rI裭Riꌤd<^(l"&$d݄>?Oi'{y-4¢iw;?0# t4=&xr~2nYatؑcԲ2u`*OC5i-_5? ȵL$k_ZWDuOv*zzKI;$;6 F;VO+z̗L*\Euhp:z9^v_3zΓp8Ҵ09Տ~**so^k0܎szF_km V|T1ֺⴖIXD,撱F^<Ȃ 9nb;t5wD-C ^ݏǯN?xWčF{Zc8I+t#>U46m&#4%+xG}h5xǶ0ҭ%kfr2@5y]]C=SS$DT/Mm-ARF888kCytu;w,H8Ec_{i"mI|@dB9(tgR\/l眃q=Vҋs܎mgqYڜXhтjM|hdc#INDz^w-Xƨ t$f[iY!dqQJݒ9ڒMrZ g"8Qv6i>'x!u8 ԮxqחMK*KWaKJsϦ_5M A)fCc/6(QY#Y+jhw(d ?ľ{[ uFx#Mr6 [.c -b!9[cf1@nH>ev])pr9]@_y=ꦥy㹌9ƥѾOhGEI!} O&$iWgC-3x3X<]YϢ^$_Jc ijukMݦK问P%}⺭;YT- ~oy)sҹMwwSx&G"#Fմ-@,LF($ZV!Ջwlt_ޘXr$gΩxF#CTeI/^M Wө>`UU}8RQF5+s2,PoJ_A.rJ) +{>2T׊3ƭ-.o'-󝑩cWxVޟjVG4A.esMm#d>O\՛;6/u ˵OvPFKxPu\ 9mjwe'E͕y*[tLF#E_+v UĎİ:\{S "A0}*|>2pBrk-\MN?f<br><br>When Beauty Meets Brawn<br><br>To become the best requires commitment, so Amy approaches her sport as a full-time job. "There's only a week out of the whole year when there's no workout, and when I'm not competing I'll be running and lifting." But in the history of high jump training, Amy admits that such discipline and dedication was considered the exception rather than the rule.<br>"In the past there was more of a laissez-faire attitude toward high jump training, and a lot of the jumping workout would be occupied by sunbathing on the high jump pit," says Amy. She recalls one story of two German high jumpers who entered a competition in the 70s. When they found out that the meet was going to take several hours, they left the meet and went down to a local coffee shop and had a few cigarettes and several leisurely cups of coffee. Says Amy, "When they came back to the meet they found that they had misjudged the time and there was only one jumper left before them, so they had to warm up in a hurry. They ended up jumping pretty well because they were great natural talents, but these were athletes who really didn't take care of their bodies, and you wonder what they could have done if they had taken better care of themselves."<br>A major portion of Amy's training is the Olympic lifts, but she also performs several auxiliary lifts for the lower back, abs and the upper body. "It's important to keep the upper body strong for coordination," says Amy. "At the takeoff you really have to move the upper body--you can't just be a limp noodle." She also says it's important for jumpers to perform specialized exercises for their ankles. "You get a lot of power from your feet, and if your ankles are hurting you're going to suffer. I do all kinds of ankle strengthening, such as picking up sand and running on the toes to strengthen the arches, surgical tubing exercises, and rocker boards--I work on my ankles a lot."<br>For younger jumpers, Amy believes in the importance of being exposed to a variety of sports. "You learn a lot through other sports and through competition. It's just like your academic studies--you need to become a student of your sport and learn all there is about it. The high jump takes a lot of technique, but you can't stop there. You need to learn the mechanics, the physics and the psychology of the jump to really succeed."<br>Amy has given quite a bit of thought to the psychology of sports and believes there are some truths behind the stereotypes about track and field athletes. She says that sprinters are confident, bordering on cocky; throwers are the jokers and are laid-back; pole vaulters are the daredevils, and distance runners tend to engage in strange rituals and habits that she feels border on "just plain weird." She also says that because decathletes have an appreciation for all the events, they tend to make a lot of friends and, she adds, "have the nicest bodies."<br><br> <br>Posing for Perfection<br><br>Although her plate is full with athletics and studies, Amy does have a few outside interests, such as modeling. She is currently represented by Click, and Amy says the agency likes the idea that she is an athlete. <br>Although most women have a hard time getting modeling assignments because they're too short, Amy has the opposite problem because she's 6' 2" and the ideal height of a model is 5' 9". Her height makes her too tall for runway work and sometimes makes it difficult for her to fit into some of the clothes. "What I can do in ɡ-c$ŵ]Gz[wvcҪSz'N")]]>nPui'zRGִyݽTiE.GĽ~~hK=FGqPvt_.[q$Gɉq&ޱ℅E9WZH5I@{~z;,?Rd.iC^5\NYB)y˗|yL&r0 r?eO8I#+OWo;7卷ο Viz͹w\.m`YWX TҪ -- /6S ZZW=Ҙ\ů&`[n%ZCV'[M(Esd8y^F#A<$ҵleY; 7Eı:rOQ^W*7CSڙI1̴:[; brrͽ }F(TcV.LI:.P&R\S\<%Ǥk9qzg62(PP/ۗ&U{DOr}%#Ү~Y*A=?m6'fvcڥB=WO(D~*9O5q 4{.( QP9[qW妁͐Qɕ~QPL[ɗ|+06Z<XI~_u vp,zߧ'կt i?'cC5̋p%#qk(,5yU+ywdo^K#*U9n08^\ҫ;@Y7$;?mn:9X4hkFo}7׽#(==?+=#([5rܤ` m*<7@sqY4:0umزN \ S>No